He Xiangyu is the founder of the Asian Art Association (Asiatischer Künstlerverein) in Berlin. His recent interdisciplinary publication (published by Hatje Cantz, 2019) won the prize for “The Most Beautiful German Books” in 2020. He Xiangyu was named as a finalist for the “Mario Merz Prize”(2021) and the “Future Generation Art Prize” (2014), won the 10th CCAA “Best Young Artist” Award (2016) and the “ARTNET Emerging Artist Prize” (2016). He Xiangyu’s works were also presented at the 5th Ural Industrial Biennial of Contemporary Art (Yekaterinburg, 2019) 58th La Biennale di Venezia, China Pavilion (2019) 13th Biennale de Lyon (2015) 10th Shanghai Biennale (2014) 5th Yokohama Triennale (2014) 8th Busan Biennale, Busan Museum of Art (2014). Guggenheim Museum, New York Smart Museum of Art, Chicago Kadist Foundation, San Franciso LACMA, Los Angeles KW Institute for Contemporary Art, Berlin Centre Pompidou, Paris Castello di Rivoli Museum of Contemporary Art, Turin among others. He Xiangyu’s works have been shown in CAFA Art Museum, Beijing Ullens Center for Contemporary Art, Beijing TANK Shanghai Long Museum West Bund, Shanghai OCAT Institute, Shanghai Para Site, Hong Kong TOP Museum, Tokyo The Drawing Center, New York Solomon R. from Department of Electrical Engineering and Computer Sciences at University of California, Berkeley. He analyzes and critiques the collision, ingesting and digesting of cultures with a non-linear structure. In He’s works, the deliberate dislocation of materials, intimate perception of physical and mental experience and the dispassionate historical perspective are brought into play this very dynamic balance reflects the self-cognitive dilemma of a generation born from the historical fault line and its constant struggle with it. Using a diverse range of media from painting, sculpture, installation, video to publication, his work contemplates and echoes the fatalistic micro conflicts on specific individuals in a time of macro geopolitical and historical turbulence, through a series of projects with immense timespans and physical volumes. Emerging from a generation of artists who have experienced the radical changes in China’s society reverberated within the economy and international relations, He Xiangyu’s art practice is based on his unique cultural experience. He Xiangyu (1986, China) is an artist and film director who lives and works in Berlin, Germany. His specific research fields include reconstructing biological regulatory/co -expression networks via statistical graphical models, correcting batch effects in high-throughput genomic data, deconvoluting methylation signals in epigenome-wide association studies, discovering subject heterogeneity at single-cell resolution, and integrating multi-omics data. He likes involving in developing novel statistical models to solve practical biological problems. Xiangyu Luo has broad research interests in Bayesian statistics, nonparametric Bayes, statistical genomics, bioinformatics, statistical computing, and. Xiangyu Luo has broad research interests in Bayesian statistics, nonparametric Bayes, statistical genomics, bioinformatics, statistical computing, and statistical learning. Prior to that, Xiangyu Luo graduated from Department of Statistics and Finance, University of Science and Technology of China (USTC) with a Bachelor of Science degree in 2014. degree from Department of Statistics, The Chinese University of Hong Kong (CUHK) in 2018 and was supervised by Prof. Xiangyu Luo is currently a tenure-track A ss ociate P rofessor at the Institute of Statistics and Big Data, Renmin University of China (RUC).
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